knackknack The Sunderland Pavilion of the Wrong Biennale Curated by James A Hutchinson artist, Senior lecturer in Fine Art at the University of Sunderland. http://www.jameshutchinson.org/	Derrick Woodham “Snoozie” 1996 Daap Active Worlds
AUSÍN SÁINZ ‘BLACK.’ Vídeo creación / 06:00 / 2015 / MP4.	Christian Lavigne ‘Temple De La Courge Sacrée’ christianlavigne@free.fr
Craig Ames 'Spree Killer' explores the current disconnect between art/subjectivity, in the form of self-portraits; and science/objectivity , in the form of machine vision and AI categorisation of people.	Aad Björkro, Bjørn Magnhildøen Collapsing Tunnel
Sahar Sepahdari " I’m tired and I don't actually need a President, poem" video I made in response to my exhaustion as a member of the academic world which seems to be slowly unravelling in Trumps America.	Rebekah Carol ‘Blackout’
Paul Higham Hexis,Voxel and Sigil : Virtual Field Dynamic Extraction from "Call Of Duty"	Oscar Hutchinson ‘Sleeping’ Photographs London 2019
Neale Willis ‘Trumping’ As we watched the US Presidential race unravel, it was plain to see much of today’s electoral campaigning is undertaken digitally on social media. Donald Trump, is frequently seen to stir up controversy through his often bewildering Tweets and statements. The piece collects and converts images posted to social media in support of Trump, averaging each image’s colour and placing a digital brick of this colour to a screen . e. hi@nealewillis.com w. http://nealewillis.com @t_r_u_m_p_i_n	Mary Visser Hera's Women 3D Print http://mavissersculpture.com/Folio.html
Milos Peskir Digital Fossil Corrupt Galatian. 2019 Serbian.Corrupt Galatian represents the struggle for life of a/v elements. The evolutional closeness of man and a digital artefact is the aesthetical / ontological basis for this concept: the physical existence of digital - Inner struggle - digital death - digital remains - corrupt image of yourself - 'selfculturcide' This.Video work is dealing with (questioning) our fragile digital identity.	Marissa Shipp ‘Moon build VIP' Marissa Shipp Transmedia artist Graduate of Southwestern University Texas
Mary Neubauer Working with doctoral students Jennifer Weiler and Daisy Nolz on the visualization of daily sea ice extent for 10-12 years. The full body of work consists of 16 polar seas. This is from the MASIE Sea Ice Extent data base from the National Center for Atmospheric Research, Boulder, Colorado. As you look at the front of the image, you will see a distinct decrease in the elevation of the data. Left to right the data goes from Jan. to Dec. http://www.marybatesneubauer.com	Jérémy Griffaud ‘Appropriation’ https://www.jeremy-griffaud.fr/
JONATHAN KELHAM Willingly I-Impart My Things was made in collaboration with the Leaders of Men, commissioned by AMAUROT VIDEO and supported by the following organisations: Utopian Poetry Foundation. KeepMorseCode.Org. Amaurot Arts Council. Copyright MMXVIII and PERTER GILES | GALLERY. The film explores a new development in the fictitious world of the Leaders of Men [hybrid romanticised englishness: joeortonpaddingtonbear, iancurtisofficerdibbleand markesmithspottyman www.jonathankelham.net	Libby Griffiths Hideous https://www.instagram.com/beigcontnt/
John Gibson Sleeping Shepherd Boy by John Gibson for AR presentation in the Shaun Project Space, Linked through a ‘collapsing tunnel’ https://bit.ly/2IVfyCD to The Burrow, & Very Large Works, http://verylarge.works/ (also in The Wrong) to 'Sleeping shepherd remixed' by James A Hutchinson https://bit.ly/3158wRG	Helena Swatton 'To sleep'
Emiliano Lucero BEBETO it's like the lucid dream from some person from Argentina. It's a place to explore and interact. Maybe you can find a section inspired in Diego Maradona, a place to paint Argentinian politicians, a link to install a custom Facebook effect mask, a place to make a weird contest with your webcam, a plug-in that makes everyone happier on Facebook, a video game dedicated to a dog, and much more. emilianoglucero@gmail.com	h&m-block-flash-gif 'CutUp'
Fausto Marcon ‘ Nuclear Glitch’	Rubén Möller WRONG is a narrative absorbed in fragments, as is our daily use of the media. We expect that 'endurance' is the new normal, knowing very little in terms of substance, at any given time, in hopes of some resolution that never comes.
Graham Mitchinson roger-moire	Hannah Gawne trace1-01